Edouard Vuillard's Oil Paintings
	Edouard Vuillard Museum November 11, 1868-June 21, 1940. French painter.
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Here are all the paintings of James Ensor 02

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
40823		Skeletons Fighting over a Hanged Man	mk156 1891 Oil on canvas 59x74cm
37459		Skeletons Fighting Over a Pickled Herring	mk126 1891
23287		Skeletons Flghting for the Body of a Hanged Man (nn03)	1891 Oil on canvas 59 x 74 cm 23 1/4 x 29 1/8 in Koninklijk Museum Voor Schone Kunsten,Antwerp
34048		Skeletons Flighting for the Body of a Hanged Man	mk87 1891 Oil on canvas 59x74cm Antwerp,Koninklijk Museum voor Schone Kunsten
37570		Skeletons Playing Billiards	mk126 1904
37556		Sloth	mk126 1902 The Depiction of sloth is almost theatrical.
37572		Souvenirs	mk126 1926 Various authors have expressed the opinion that Ensor-s Creativity dissipated around 1900
37489		Still life with Blue Jar	mk126 1890-91
37494		Still life with Blue Vase and Fan	mk126 1889
37496		Still life with Chinoiseries	mk126 1928
37527		Strange Insects	mk126 1888 Here,Ensor Depicts himself as a beetle,and Mariette Rousseau,His Friend-s Wife whom he much admired,as a dragonfly
37453		The Adoration of the Virgin	mk126
37454		The Adoration of the Virgin	mk126
37430		The Annunciation	mk126
37431		The Annunciation of the Magi	mk126
37518		The Artist-s Studio	mk126 1930
37443		The Ascent to Calvary	mk126
37531		The Assassination	mk126 1890 The Macabre side of the Victorian imagination was fueled by naturalist novels and sensationalist tabloids
37452		The Assumpton of the Virgin	mk126
37533		The Bad Doctors	mk126 1892 Beginng in the 1890s,Ensor produced a number of Satirical paintings that mocked Belgium-s professional middld class-judges.
37435		The Baptism of Christ	mk126
37474		The Baths of Ostend	mk126 1899
37569		The Billiard Cue in the Drap,Henri de Groux Playing Billiards	mk126 1903
37488		The Blue Flacon	mk126 1917
37479		The Cathedral	mk126 1886/1933
37480		The Cathedral	mk126 1886
37481		The Cathedral	mk126 1896
37434		The Circumcision	mk126
56305		the damsel in distress	mk247 1882,oil on canvas,39.5x31.375 in,100.5x79.5 cm,musee d orsay,paris,france
37534		The Dangerous Cooks	mk126 1896 Ensor made two studies for this painting,a pastel drawing and a gouache on cardboard.
37486		The Dead Cockerel	mk126 1894
37563		The Deadly Sins Dominated by Death	mk126 1903 This sheet Concludes the series of The Seven Deadly Sins-It also served as the frontispiece for the album of 1904
37446		The Descent from Calvary	mk126
37447		The Descent from the Cross	mk126
37451		The Descent of the Holy Ghost	mk126
37455		The Devils Dzitts and Hihahox,Led by Crazon,Riding a Wild Cat,Accompany Christ to Hell	mk126 1886
37525		The Droll Smokers	mk126 1920 Almost everyone,Even the skulls,appears to be smoking in the painting.
37516		The Drum Major	mk126 1925-29
37444		The Elevation of the Cross	mk126
37413		The Entry of Christ into Brussels	mk126 889 Oil on canvas 252.7x430.5cm
37512		The Entry of Christ into Brussels	mk126 1898 A man wearing a top hat in the near foreground holds a poster declaring Vive Anseele et jesus.
23153		The Entry of Christ into Brussels in 1889 (nn02)	1888 Oil on canvas 102 1/2 x 169 1/2'' The J.Paul Getty Museum,Malibu
37409		The Entry of Christ into Jerusalem	mk126 1885 Drawing 206x150.3cm
37546		The Fantastic Ballet	mk126 1889 This color etching predates the painting of the same name by almost thirty years.
37530		The Fight	mk126 ca.1910 It seems that Ensor was already fascinated by the motif of fighting men a number of years before he produced this work
37554		The Fight of the Angels and the Demons	mk12 1888 This drawing combines two subjects characteristic for Ensor-s entire oeuvre.
37442		The Flagellation	mk126
37549		The flowering Clarinet	mk126 1938 Flowers and musical instruments are the two elements of Composi-tion chose by James Ensor to honor August de Boeck
37548		The Garden of love	mk126 1910
37536		The Gendarmes	mk126 1892 The Gendarmes,painted in 1892,provides an intriguing example of how Ensor deployed his own engaged and expressive individaualism as a vehicle for social critique.
37511		The Girl with Masks	mk126 1921 This picture shows a young girl open-mouthed,with her gaze fixed on bouquet of flowers she is holding in both hands.
37508		The Great Judge	mk126 1898 The Judge is set in the center of the canvas. Gathered around him are various bewildered-looking
37515		The Grotesque Singers	mk126 1891
37404		The Hippogryph	mk126 1880-85/1886-88
37433		The Holy Family	mk126
37552		The ideal	mk126 1925
11710		The Lady in Distress	1882 3' 3 1/4'' x 2' 7 1/2(100 x 79.7 cm)Gift of Armilde Lheureux,1932
37436		The Massacre of the Innocents	mk126
37441		The Miraculous Draft of Fishes	mk126
37407		The Oyster Easter	mk126 1882 Oil on canvas 207x105cm
23150		The Oyster Eater (nn02)	1882 Oil on canvas 81 1/2 x 59 1/16'' The Antwerp Royal Museum of Fine Arts
37485		The Peaches	mk126 1890
37526		The Pisser	mk126 1887 This Etching is also known under the title.
37466		The Poachers	mk126 1882
37542		The Puzzled Masks	mk126 1930 This work is immediately preceded by a number of graphic varia--tions on the theme.
37484		The Red apples	mk126 1883
37510		The Red Judge	mk126 1900 In this particularly cruel picture,we see a judge flanked by two skeletons wearing top hats.
37450		The Resurrection	mk126
37550		The Ride of the Valkyries	mk126 1938 Ensor painted entirely new works only rarely,when awarded a com-mission,for instance,or when asked to contribute a prize for a raf-fle.
94229		The Rower	painting: 1883. cjr
37418		The Scandalized Masks	mk126 1883 Oil on canvas 135x112cm Musee Royaux des Beaux-Arts de Belgique Brussels
37487		The Skate	mk126 1892
37478		The Skaters	mk126 1889
37460		The Skeleton Painter	mk126 1896-97
37540		The Song of the Wine or Thirsty Masks	mk126 1935
37544		The Tormens of St.Anthony	mk126 1932-33 The motif of illness is evoked by the monk-s habit.
37476		The Tormented Peasants	mk126 ca.1893
37415		The Tribulations of St.Anthony	mk126 1887 Oil on canvas 117x167.5cm Museum of Modern Art New York
37543		The Tribulations of St.Anthony	mk126 1909 The theme of temptation as a representation of the artist-s explo-ration of his own powers of imagination is a subject that continued to fascinate Ensor throughout his career.
37551		The Triumph of Venus	mk126 1940 Following in the tradition of Botticelli,Ensor takes up the motif of the foam-born Vens.
37573		The Vile Vivisectors	mk126 ca.1930
37532		The Wise judges	mk126 1891 Social satire works best when there is just enough of a connection with reality to underscore is sardonic difference.
37541		Theater of Masks	mk126 1908
37438		Tribute Money	mk126
37465		View of Mariakerke	mk126 1901
37568		Waiters and Cooks Playing Billiards,Emma Lambotte at the Billiard Table	mk126 1903
37475		White and Red Clowns Evolving	mk126 1890

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James Ensor

Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

All the Edouard Vuillard's Oil Paintings

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